1. Don't Look Back movie review & film summary (1967) | Roger Ebert
I was chilled by the possibility that I reacted to these scenes differently the first time around, falling for Dylan's rude and nearly illiterate word games as ...
What a jerk Bob Dylan was in 1965. What an immature, self-important, inflated, cruel, shallow little creature, lacking in empathy and contemptuous of anyone
2. Dont Look Back (1967) | Rotten Tomatoes
The film chronicles Dylan's concert appearances, hotel room conversations, and transportation downtime, pulling back the curtain on the folk messiah.
In 1965, the iconic troubadour Bob Dylan toured the United Kingdom at the age of 23, and director D.A. Pennebaker was allowed behind the scenes to provide one of the most intimate glimpses of the private and frequently cantankerous songwriter. The film chronicles Dylan's concert appearances, hotel room conversations, and transportation downtime, pulling back the curtain on the folk messiah at the end of his relationship with Joan Baez and on the cusp of his creative shift toward rock music.
3. Don't Look Back movie review & film summary (1967) - Roger Ebert
"Don't Look Back" is a fascinating exercise in self-revelation carried out by Bob Dylan and friends. The portrait that emerges is not a pretty one.
4. Don't Look Back, Bob Dylan and the invention of the rockumentary
May 17, 2016 · The movie is mesmeric: while it features spellbinding snatches of a musician performing at the height of his powers, the off-stage drama is just ...
DA Pennebaker’s landmark film is being celebrated with its own exhibition, and more than 50 years on, it still sets the standard for the rock documentary
5. Dont Look Back (1967) directed by D. A. Pennebaker • Reviews, film + ...
In this wildly entertaining vision of one of the twentieth century's greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical ...
In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.
6. Bob Dylan: Dont Look Back Reviews - Metacritic
The abiding memories of Don't Look Back are lack of privacy, dull cliques, stumble-drunkenness, very insecure British artists (Price, Donovan), and Dylan's ...
Documentary covering Bob Dylan's 1965 tour of England, which includes appearances by Joan Baez and Donovan.
7. 'Don't Look Back (1967)' reviewed by Nick Burton - Pif Magazine
It's fascinating to watch Dylan deal with the press, who seem determined to tag him as an angry folk singer at a time when his lyrics were becoming increasingly ...
Bob Dylan has been enjoying a resurgence of popularity in the last two years with the release of his album Time Out Of Mind (an album absurdly over-praised by aging rock critics) and the release of his infamous 1966 concert in England, where he split …
8. He's an Artist, He Don't Look Back: Pennebaker's Landmark Dylan Doc ...
Jan 20, 2016 · In a September 1967 review in The New York Times, film critic Donal Henahan wrote, "It will be a good joke on us all if, in 50 years or so, ...
Bob Dylan: Dont Look Back (1967)By DA PennebakerReleased by The Criterion Collection, November 2015Blu-Ray/2-DVD Box Set
9. D.A. Pennebaker: Behind the Making of 'Dont Look Back' | TIME
May 23, 2016 · D.A. Pennebaker's landmark 1967 Bob Dylan documentary, Dont Look Back, paved the road for music documentaries at a time when, as the ...
On the occasion of Bob Dylan's 75th birthday and a new gallery exhibit, the Dylan doc filmmaker talks to TIME
10. Don't Look Back: Seeing the Real Bob Dylan at Last? - Consequence
Dec 4, 2018 · Even if Pennebaker's film captures an authentic Bob Dylan, that artist was long gone by the film's release in 1967, following Dylan's '66 ...
D.A. Pennebaker’s classic documentary, Dont Look Back, captured Dylan as we’ve never seen him before or since.
11. Don't Look Back - Brett McCracken
May 20, 2008 · Pennebaker (a former “associate” of Drew Associates) set out in 1965 to observe Bob Dylan on his British concert tour, and the result—Don't Look ...
D.A. Pennebaker’s Don’t Look Back was significant on a number of levels—but perhaps most of all for the way that it made “public” the direct cinema/cinema verite style in America. Pioneered in the states by Robert Drew and Richard Leacock’s “Drew Associates” (whose 1960’s production of Primary i
12. Don't Look Back (1967) movie review - PopEntertainment.com
There are not nearly enough definitive rock and roll documentaries. Don't Look Back, which originally came out in 1967, looks at Bob Dylan's 1965 tour of ...
13. Dont Look Back Review - Criterion Forum
Nov 26, 2015 · Bob Dylan is captured on-screen as he never would be again in this groundbreaking film from D. A. Pennebaker. The legendary documentarian ...
Bob Dylan is captured on-screen as he never would be again in this groundbreaking film from D. A. Pennebaker. The legendary documentarian finds Dylan in England during his 1965 tour, which would be his last as an acoustic artist. In this wildly entertaining vision of one of the twentieth century’s greatest artists, Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price. Featuring some of Dylan’s most famous songs, including “Subterranean Homesick Blues,” “The Times They Are A-Changin’,” and “It’s All Over Now, Baby Blue,” Dont Look Back is a radically conceived portrait of an American icon that has influenced decades of vérité behind-the-scenes documentaries.
14. DA Pennebaker's 'Dont Look Back' (1967) - - CineMontage
The action unfolds at the rhythm of life. Seemingly mundane moments like Dylan window shopping for guitars, or pounding out lyrics on a typewriter while Joan ...
In 'Don't Look Back', the action unfolds at the rhythm of life.
15. Dont Look Back (Criterion Collection) - Blu-ray Digest
Nov 24, 2015 · Bob Dylan is captured on-screen as he never would be again in this groundbreaking film from D. A. Pennebaker.
Advertisement
16. Taking Another Look at Bob Dylan in DON'T LOOK BACK - Nerdist
Nov 26, 2015 · Following Dylan on his 1965 tour of England, Pennebaker shows us a mixture of concert footage with Dylan and his cronies backstage, in hotel ...
In the midst of all the turmoil and upheaval in the 1960s, art of various forms were becoming more fresh, more angry, more immediate. The sheen of the ’50s gave way to resentment of authority and a desire for grittiness. And two mediums that got major overhauls during the period emerged as being distinctly of the moment: folk music and veritae cinema. Folk music was stripped down, it was about musicianship and lyrics more than production or instrumentation. People could sing about what was on their mind right then and those messages have remained prescient and important. Veritae cinema, specifically surrounding the documentary, was a way to simply present reality as reality, letting people feel like they’re there in the moment. These two perfectly blended in the 1967 film Don’t Look Back, directed by D.A. Pennebaker and about the legend that is Bob Dylan.
17. Bob Dylan - Dont Look Back: Criterion Collection [Blu-Ray] (1967)
Nov 12, 2015 · Reviewed by Colin Jacobson: Dont Look Back maintains a reputation as one of the all-time great rock documentaries, a factor it probably ...
Reviewed by Colin Jacobson: Dont Look Back maintains a reputation as one of the all-time great rock documentaries, a factor it probably deserves if just for its innovations. Above and beyond those elements, though, it manages to provide a fairly fascinating look at a legendary artist as a young man. Starring Bob Dylan. Criterion, $39.95, 11/24/2015.
18. D.A. Pennebaker on 50 Years of Bob Dylan: Dont Look Back, Part II
Nov 27, 2015 · When it came to the final edit of D.A. Pennebaker's groundbreaking 1967 documentary Bob Dylan: Dont Look Back, everything was destined to fit ...
When it came to the final edit of D.A. Pennebaker's groundbreaking 1967 documentary Bob Dylan: Dont Look Back, everything was destined to fit exactly how it fit. "It wanted to happen," says Pennebaker.